Written by Lauralee Robinson, Staff Reporter
As Halloween quickly approaches, audiences will have the chance to experience the chilling story of the classical novel brought to life through movement, music, and theatrical story telling. Roanoke Ballet’s Theater is preparing for their production of “Dracula,” choreographed by Norbet Nirewicz and directed by Sandra Meythaler, is a tale of intense passion and suspense.
The ballet production of Dracula offers a unique perspective into Bram Stoker’s infamous novel, by exploring the dark, gothic themes, through elegant movements. Ballet is a powerful form of storytelling and audiences are able to see the story come to life. Additionally, telling the story through ballet offers a sense of innocence, which aids in guiding the tale into the horrific themes.
The Brackety-Ack had the wonderful opportunity to interview the Executive Artistic Director Sandra Meythaler, Renynu Wood portraying the character Mina and Tirza Panunto dancing the character of Lucy. “When we decided to put this ballet based on the classic of Bram Stoker, we were thinking of ways to bring to the audience something interesting,” Antonia noted. She went on to explain that audiences often associate ballets with classical fairytales, and it could prove to be difficult attracting an audience. However, by combining theatrical effects and contemporary movement, they were able to create a piece for longtime ballet enthusiasts and individuals that are new to the art form.
One of the production’s biggest challenges is communicating the story, relying solely on movement and the characters’ emotions throughout the production. The performers had to learn how to portray emotions, physical changes, and character relationships, without the guidance of dialogue.
For performers Tirza Panuto and Renynu Wood, this proved to be something especially important for their characters. Tirza explained that by watching previous portrayals of Lucy, she was able to explore the different interpretations of her character. She also emphasized the importance of knowing how her character was feeling at a certain moment, for her to translate that into movement.
Renynu shared a similar creative process; however, Mina’s story presented a particular sense of challenge. Although her character starts off lighthearted, her character becomes increasingly intense as the story unfolds. This tension comes to a head, when Mina and Dracula share a pas de deux, a dance shared between two performers. This dance illustrated Dracula’s fascination with Mina and her conflicting feelings as she tries to escape his influence.
Whether you are a devoted gothic horror fanatic, or a classical ballet admirer, Roanoke Ballet Theater’s Production of “Dracula” has something for you! Come enjoy the thrilling tale at the Jefferson Center on October 24 at 2 P.M. or 7 P.M. It is a tale you do not want to miss!
